A
Few Thoughts on World Building
By
Dina von Lowenkraft
Although
it is easy to see details of world building when reading about Middle Earth or
Starships, a contemporary novel set in a small town also has a distinct world
that the author has created –
either by constructing a fictional setting or by choosing which parts of
a real setting to include or to omit.
A
world is a complex system of interdependent threads ranging from the physical
to the metaphysical and covering everything in between. Geography, population,
government, history, ethics and religion are just a few examples. The clearer
you are about the impact of each thread on your characters and story arc, the
more depth your world will have and the more alive it will feel.
Just
as in our world, the way fictional characters perceive the world around them is
shaped by the culture they grew up in, their past experiences and their own
ideas of right and wrong. This in turn will affect how each character can
evolve over the course of the story.
All
worlds, even ones with magic, have limitations – and limitations are often a great starting point
for introducing problems and increasing tension. And tension, especially when
it is innate to your world’s
structure and your character’s
personal view of the world, is what makes a book something a reader can’t put down.
What
are your thoughts on world building? Is it something you do before your start
writing, while you are writing, or do you work on it when you are revising, or
do you do a mix of all three?
Meet Dina:
Born in the US,
Dina has lived on 4 continents, worked as a graphic artist for television and
as a consultant in the fashion industry. Somewhere between New York and Paris
she picked up an MBA and a black belt. Dina is currently the Regional Advisor
for SCBWI Belgium, where she lives with her husband, two children, three horses
and a cat.
Dina loves to
create intricate worlds filled with conflict and passion. She builds her own
myths while exploring issues of belonging, racism and the search for truth...
after all, how can you find true love if you don’t know who you are and what you
believe in? Dina’s key to developing
characters is to figure out what they would be willing to die for. And then
pushing them to that limit.
Dina is repped by
Kaylee Davis of Dee Mura Literary.
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